DryStoneGarden

Eschscholzia californica maritima & Escholzia californica

I like this accidental side by side comparison of the coastal form of the California poppy, Eschscholzia californica maritima or Eschscholzia californica var. californica, and the regular California poppy, Eschscholzia californica. I put in the regular one two years ago and the coastal form last year. Both plants are perennial in our garden, so now we have both. I suppose growing together they could hybridize, but we deadhead pretty regularly and there are many blocks of houses and concrete between us and any “wild” land.

The regular poppy might be the better plant for most gardens–bigger and faster with larger blooms and that unique burnt-orange color–and it’s definitely more common in gardens, but the coastal one has its merits, too, and seems to be getting more popular. I say “regular” and “coastal,” but I’m pretty sure the coastal form is actually the native one for Richmond Annex where I live. In fact, the owner of Larner Seeds, where I got my seed, has a post on her blog that suggests that the prevalence of the more annual form around the Bay Area hills and throughout the state is the work of past generations of Boy Scouts, Sierra Clubbers, and other human seed dispersers, and that there used to be a lot more regional variance across the state. And apparently people are still doing it, James at Lost in the Landscape cites a recent re-gen project in the San Diego area that used the generic poppy instead of the locally native form.

The flowers of the coastal form have an interesting two-tone color, an orange interior fading to a bright lemony yellow on the outer parts of the petals, and they seem to vary a bit in size and coloring; the biggest coastal flowers are often as big as the smaller flowers on the annual form. In the wild I’ve mostly seen the coastal form looking like a woolly little blue-gray thing growing in dry mineral soil, but in the garden they get about a foot tall, and they’ve been quite willing to cover themselves in blooms during the spring and then keep producing sporadic blooms throughout the summer. Their small size works best for our small garden, so we’re thinking of pulling the regular ones this year, and going down to just the single form, the coastal one.

Eschscholzia californica maritima, coastal Cal poppy

Old Town Patio Stone

I wanted to post a few more photos of the freestanding wall from the garden show. I haven’t seen many walls with the courses running at an angle, and none quite like this one. To lay the stones at an angle goes against the “rules” I learned about building walls, but, apparently, stoneworkers have been doing it in Cornwall for centuries. The Cornish call their walls “hedges”, and do things like cover them with sod, and they have a whole tradition of stacking slate vertically or at an angle. Their slate doesn’t support weight well when stacked horizontally, so they turn it on its edge, which makes a certain amount of sense; I’ve worked with slate which would crumble from a single hammer blow across the flat, but could withstand repeated blows against the narrow edge. The Guild of Cornish Hedgers has a collection of photos including some walls built with a herringbone pattern. I particularly like this one with stiles for climbing over it. There’s a photo on a blog here and another photo in the Cornish collection in the Dry Stone Walling Association of Great Britain gallery.

the courses, with my camera rotated

Through the magic of turning the camera sideways, you can see that the wall is built with courses like a traditional wall, just that the courses run at an angle.

transition from traditional to angled

The horizontally laid stones of the arch set the angle for the slanted courses. A lot of the wall’s weight is going to be pushing against those horizontal courses and against that arch, but arches are strong and the wall could have stood for a lot longer than the five days of the garden show. Now it only exists in memories and photos.

The Dry Stone Walling Association of Canada has more photos of the wall on their site, and photos of another angled wall they built for a garden show in Canada last year.

WallsWithoutMortar has photos of another angled wall built in Danville, here.

I stuck a couple of detail photos of the arch below. Read the rest of this entry »

Big Springs Stone Table

It’s not quite April, but we already feel safe to move our cushions outside and get our front porch ready for summer. The table on our porch is new for us this year, assembled from a slab and a block of granite. The stone’s called Big Springs, from somewhere in Utah, boulders cut into slices that are perfect for tables and benches. The stone has a beautiful grain, as if it were wood, and the sides have bluish and yellowish lichen. This table didn’t take any skill to assemble; I just put the flat stone on the flat-topped granite block. It didn’t need mortar or even a shim. The slabs aren’t particularly expensive, so I don’t understand why they aren’t more common. Doesn’t everyone want a three-hundred pound bistro table?

There’s another photo showing the grain of the stone below. Read the rest of this entry »

Sing! by Mariposa Gardening and Design

We went to the San Francisco Flower and Garden Show (San Mateo Flower and Garden Show?) yesterday. This freestanding dry stone wall, by Mariposa Gardening and Design and John Shaw-Rimmington of the Dry Stone Walling Association of Canada, was the coolest feature in the show in my rather stone-oriented opinion. There’s something very cool about walking under a dry-stacked stone arch. They said about thirty people gathered around to watch them remove the form from underneath the arch during setup, and I saw a ton of people pose for for photos underneath it during the show.

Cool Living by Fiddleleaf Fine Gardening and Design

I also really liked the living wall by Fiddleleaf Fine Gardening and Design. The other green walls looked to me like they were grown horizontally and then put vertical for the garden show, but you could tell the Fiddleleaf wall was grown vertically from the way the plants oriented themselves. The construction details made me confident that it would actually be sustainable in the effort and resources to maintain it, and that it could evolve over time instead of being static. Green walls certainly seem to be the newest latest greatest; there were three of them in the garden show this year and it’s obviously an intriguing interesting idea, so I want to do some research into them. A lot of them seem to trade on the same novelty that makes Home Depot customers want to try growing a tomato plant hanging upside down in a bag, but I thought the Fiddleleaf living wall was the real deal, a beautiful sustainable feature for a small urban space.

Sky's the Limit by Rebecca Cole

“Look at this!” a woman beside me exclaimed when she saw the green walls in Sky’s the Limit, by Rebecca Cole, and I thought that captured the effect of seeing the tidy geometric mats of living wallpaper. Tons of novelty value, plants growing in a different way than you normally see. It’s impressive how well the shape in the painting matched the shape on the curtains, which matched the custom cushions, which matched the custom tiles. The garden swept most of the awards in the show, and it is the exemplar of a certain type of garden, the all-at-once garden, everything designed simultaneously so that everything matches, a perfect garden for the client who wants to write a check and then never change a thing.

The Return of Paradiso by Quite Contrary Garden Design

Similarly or in contrast to that garden, I’m not sure which, Quite Contrary Garden Design used found materials to make a cohesive whole. The materials all matched, but with the more casual roughness of flagstone, rather than tile. You could see that the designer collected the items, rather than designed them. I didn’t get to try out the wooden lounger, but I really liked how it looked.

There are photos already up on many of the designers’ websites, found through the garden show’s list of garden creators. BayAreaTendrils has photos, and I’m sure there’ll be more on other Bay Area blogger sites.

The show goes on for one more day, and the word at the show was that this won’t be the last year after all, that there’s a contract for five more years. Duane Kelly, the apparently-soon-to-be-former owner, has an interview at NestInStyle, talking about how the show needs to attract a new generation of visitors. It’ll be interesting to see what the new owners do to try to accomplish that.

ryan 3/21

ribes sanguineum & physocarpus capitatus

I didn’t get the greatest photo, but I find this juxtaposition pretty funny. First off, it’s a mistake on several levels. It’s in a planting outside a sub-development, and I’m sure that a landscape architect designed the planting with all Ribes sanguineum (flowering currant), but the contractor accidentally installed one Physocarpus capitatus (Pacific ninebark). There’s only one ninebark in the whole planting, and the two plants look similar when young so it would be an easy enough mistake to make, and there’s no way someone would intentionally plant this–it looks like Two-Face from the Batman series. There’s also no way anyone should have hedged these plants, but for some reason people seem to think it’s appropriate.

The mistake does make for an interesting, if slightly unfair, comparison. When they are not hedged, ninebarks have beautiful new foliage in the spring; the new leaves have almost the same effect as flowers, and the flowers are nice when they come later in the year. The plants are fast and tough and a good native habitat plant. I like them; we have one in our own garden. But they are not for every garden. The form is kind of rangy and thickety if you don’t prune it frequently, the bloom should be deadheaded, and the leaves can get tired and yellow by mid-summer with no fall color before they drop.

And ninebarks just can’t compete head to head with a Ribes; few things can. Ribes sanguineum is beautiful and native and fast and tough and a great habitat plant, and it will thrive in virtually any spot where you’d put a ninebark. It’s good for habitat and genetic diversity reasons to plant the ninebark (most Ribes in retail nurseries are from just a few cultivars), but most people, and most clients, will prefer the Ribes. We do plant ninebarks- like I said, we’ve got one in our own garden (along with two Ribes)–but we’ve probably installed six or eight Ribes for every one ninebark. I’m sympathetic to the native plant enthusiasts who want as much diversity and habitat value as possible in gardens, but sometimes it comes down to just looking at two plants side by side and picking. Fortunately, we don’t always have to pick between the two, and we do sometimes find gardens for ninebarks. Ninebarks are nice, they just aren’t awesome.

I put a few photos of the hedged ribes mound that the landscape architect was intending. I don’t really understand the urge to turn two perfectly nice Ribes shrubs into a single Ribes shrub mound. Read the rest of this entry »

I’m hoping this photo from last fall will sell my Mom on some gravel. She’s been resistant to the idea of using gravel in her yard, but I think she’s picturing gray construction gravel. I probably need to start calling it Tuscany Gold, the way they do at the stoneyard, make it sound more stylish. The Tuscany Gold looks a bit mediterranean/southwestern for her taste, but gravel has some advantages over flagstone, mainly that it drains well and it’s inexpensive and easy to install and maintain. It’s not so good for patio furniture, it’s not as nice to walk on, and it can get stuck in the soles of your shoes and scratch the hardwood floors, but none of those issues would be a problem for that section of my parents’ yard where they want to take out some lawn. And I think the ease of installation should trump everything in this instance. A mother shouldn’t want her only son carrying a ton of flagstone into the backyard.

ryan 3/4