DryStoneGarden

Thursday while I was down on the peninsula, I passed near a house where I did a small stone project last fall, so I stopped by to check out the planting that the client did afterwards. Pretty nice, and fun to see someone else’s plant choices. There wasn’t a drawing or anything when I did the project, just a request for an 8″ high wall to give a back drop to a low planting of color, and I didn’t know exactly what would go in afterwards. You can’t see so much of the stonework at the moment, but it will reappear as the plants finish their bloom cycles.

The yard had nice trees and shrubs before, but it’s a lot more interesting now. This photo from when I finished the project was in my 2010 wrap-up post.

Green Fire: Aldo Leopold and a Land Ethic for Our Time from Jeannine Richards on Vimeo.

‘A thing is right when it tends to preserve the integrity, stability, and beauty of the biotic community. It is wrong when it tends otherwise.’ Aldo Leopold

Last week in Berkeley, there was a showing of Green Fire, a documentary about Aldo Leopold that is making the rounds. The trailer embedded above is a bit slow, but the full length film is engrossing and well worth a viewing. A Sand County Almanac made a big impression on me years ago, but there’s more to Leopold’s story than just that, and the film conveys that same sense of a Leopold as a great conservation thinker. It can’t be overstated how far ahead of his time he was.

Among other highlights, the film has footage of the shack and farm — now a national historic landmark — where he wrote A Sand County Almanac. I remember reading the book, reading about his efforts to rehabilitate the land, and wondering how his conservation efforts there endured after his death. Quite well, apparently, no doubt in part because his children were conservationists too. The photo above is from Wikimedia, this blog has a few more photos of the shack and land, and there’s a slideshow of black and whites at the Aldo Leopold Foundation website for contrast. But you get the best sense of the place by watching the film. The KQED climate blog, reviewing the film, says it will probably be shown on PBS in about a year.

I went to the UC Botanical Garden yesterday. Anita and I decided to get memberships for the year. We realized that the garden is actually quite close to our house, not quite as close and convenient as the Tilden garden, but almost, and we should get to know it better. This was the first visit of the year. The garden was in transition between winter and spring, the earliest plants in leaf but most of the other deciduous plants still dormant.

The South Africa section has a new section of moss rock wall. Really nice stonework, dramatic contrast between the boulders and the walls. Be interesting to see what they plant, something with an intense flower no doubt, based on everything else in that section. I think it’s my favorite section of the garden.

It’s hard to think of a flower like this as the natural bloom and not a cultivar that has been bred by humans, but the UC has only wild collected seed.

I don’t remember noticing this vertical stone before. I think that’s a flowering quince behind it.

The ceanothus were going in the native section, but a lot of the other spring bloomers were just getting ready to break. Like the Tilden garden, the UC is a little later than my more coastal garden.

The Summer Holly, Comarystophylis diversifolia, was covered in buds. I’m not sure I’ve ever seen one in full bloom. The Oso Berry, Oemleria cerasiformis, is another one that I don’t often see in bloom.

And there is patch of Giant Coreopsis, the star of my recent bloom day, looking like they wandered over from the South Africa section. Such a strange plant; it’s very clear to me why I need one in my own garden and why I’ve never planted one for anyone else.

Around the time I went to Stern Grove, Andrea Cochran gave a talk at UC Berkeley. She’s another one of the west coast landscape architects with interesting stonework in her projects. She mostly spoke about the projects in the recent book Andrea Cochran: Landscapes, but with a lot more photos, including construction photos and some before photos of the projects. I was most interested in the stonework at two of her projects up in the Napa area.

I smile every time I look at photos of the riprap at the base of the wall in this landscape. It’s as if the stonemasons never cleaned up after the project or as if they were building a breakwater for a flood that has yet happen. It’s landscape humor, whether or not the designer actually meant it to be. But it also works visually; breakwaters and seawalls are always striking, and most mountain headwalls have talus heaped at their base, so it’s a familiar form to have the clean face of the wall above the jumble of the riprap. She said that she added the riprap because the walls were too strong visually, that their line was dominating the landscape and she needed something to soften the effect. It’s not often that adding stone will soften a landscape.

The other interesting stone element from her book and presentation is a pyramid made from construction rubble. After excavating for a building on the site, they had literally tons of rock to get rid of and the landscape needed something to fill the view across the reflecting pool, so she channeled Michael Heizer and had the rubble stacked into a pyramid. She said everyone was skeptical until it was built. Like the riprap, a bold design move.

Both projects won ASLA awards, with more photos and info about the projects, titled Walden Studios and Stone Edge Farms, at the ASLA website. There’s also a recent interview with her on the ASLA blog, covering a lot of the other topics she talked about at the slideshow.

There’s a video about her here.

View from the Stage, click to enlarge

‘I wanted it to have the feeling of being in one of the great Greek amphitheaters,’ Lawrence Halprin

Last month I went to Stern Grove and took some photos. I’d been there during concerts, but I wanted to check it out without all the crowds. It didn’t disappoint. It’s a great space, with awesome stonework, and worth visiting even when there isn’t a concert happening. I wasn’t expecting to see anyone there, but an impressive number of people passed through the space, even though it was a rainy Sunday morning. I’d always thought of it as a theatre, but it also works quite nicely as a park.

View from the West

The Grove has been a park and concert space since the 1930’s, but the stonework is all from about 5 years ago when Lawrence Halprin led a big renovation. Before the renovation it was just a natural amphitheater, and everyone would slowly slide downhill while they listened to music. Halprin terraced the slope and turned it into a proper Greek theater. My first impression of him when I started to learn about his work was that he tended to just make things up, but the design at the Grove is actually quite true to the style of the Greeks, with appropriate stonework and other detailing. Even the plan, which is rather free-form, is in keeping with the old Greeks’ appreciation for natural topography. From what I can tell, amphitheaters close to the center of the Greek empire tended to have a more regular form, while the ones built towards the fringes tended to be more irregular. Which makes the irregular form of this Greek amphitheater in San Francisco, 6500 miles from Greece, perfectly aligned with that tradition. One theater in particular, Thorikos, has a plan that reminds me of Stern Grove. Read the rest of this entry »

Last December I admired the aspens at Tilden, here and here, after they’d dropped their leaves. I told myself I should stop and check out their fall color this year, and I did actually follow through, stopping in several times to walk the garden while the aspens were coloring. They were nice, not quite like I saw in the mountains on my way back from Bishop but I give them extra points for doing it near the coast. In general, this doesn’t seem to have been one of our best years for color. I think the early storms knocked off a lot of the leaves as soon as they changed.

September

The aspens were definitely nice, though, and are of course great after they drop their leaves. I’m a fan of local natives, but it’s also great to see mountain species down here in the Bay Area. I’m lucky that my commute takes me past Tilden so regularly.

This Week

The aspens have been bare for a while now. Willows and spicebush are two of the main species coloring and dropping leaves there. In my own garden, the spicebush still has most of its leaves and even a couple of flowers and buds. I’m only five miles away, but in a less frosty microclimate.

Wildcat Creek

There’s one vine maple turned red. All the other fall color is yellow.

Vine Maple, Acer cirnatum

And along with fall color, November means that manzanita season is approaching. A few had token blooms, but this one was starting up its full bloom.

Parry Manzanita Starting Up

Townmouse recently mentioned the 2010 Fall Color Project that Dave at the Home Garden is hosting. He’s collecting and posting links to blogs around the country that are showing off their fall color. Click through to the kickoff post or to his front page to start with the most recent collection.