DryStoneGarden

Sing! by Mariposa Gardening and Design

We went to the San Francisco Flower and Garden Show (San Mateo Flower and Garden Show?) yesterday. This freestanding dry stone wall, by Mariposa Gardening and Design and John Shaw-Rimmington of the Dry Stone Walling Association of Canada, was the coolest feature in the show in my rather stone-oriented opinion. There’s something very cool about walking under a dry-stacked stone arch. They said about thirty people gathered around to watch them remove the form from underneath the arch during setup, and I saw a ton of people pose for for photos underneath it during the show.

Cool Living by Fiddleleaf Fine Gardening and Design

I also really liked the living wall by Fiddleleaf Fine Gardening and Design. The other green walls looked to me like they were grown horizontally and then put vertical for the garden show, but you could tell the Fiddleleaf wall was grown vertically from the way the plants oriented themselves. The construction details made me confident that it would actually be sustainable in the effort and resources to maintain it, and that it could evolve over time instead of being static. Green walls certainly seem to be the newest latest greatest; there were three of them in the garden show this year and it’s obviously an intriguing interesting idea, so I want to do some research into them. A lot of them seem to trade on the same novelty that makes Home Depot customers want to try growing a tomato plant hanging upside down in a bag, but I thought the Fiddleleaf living wall was the real deal, a beautiful sustainable feature for a small urban space.

Sky's the Limit by Rebecca Cole

“Look at this!” a woman beside me exclaimed when she saw the green walls in Sky’s the Limit, by Rebecca Cole, and I thought that captured the effect of seeing the tidy geometric mats of living wallpaper. Tons of novelty value, plants growing in a different way than you normally see. It’s impressive how well the shape in the painting matched the shape on the curtains, which matched the custom cushions, which matched the custom tiles. The garden swept most of the awards in the show, and it is the exemplar of a certain type of garden, the all-at-once garden, everything designed simultaneously so that everything matches, a perfect garden for the client who wants to write a check and then never change a thing.

The Return of Paradiso by Quite Contrary Garden Design

Similarly or in contrast to that garden, I’m not sure which, Quite Contrary Garden Design used found materials to make a cohesive whole. The materials all matched, but with the more casual roughness of flagstone, rather than tile. You could see that the designer collected the items, rather than designed them. I didn’t get to try out the wooden lounger, but I really liked how it looked.

There are photos already up on many of the designers’ websites, found through the garden show’s list of garden creators. BayAreaTendrils has photos, and I’m sure there’ll be more on other Bay Area blogger sites.

The show goes on for one more day, and the word at the show was that this won’t be the last year after all, that there’s a contract for five more years. Duane Kelly, the apparently-soon-to-be-former owner, has an interview at NestInStyle, talking about how the show needs to attract a new generation of visitors. It’ll be interesting to see what the new owners do to try to accomplish that.

ryan 3/21

ribes sanguineum & physocarpus capitatus

I didn’t get the greatest photo, but I find this juxtaposition pretty funny. First off, it’s a mistake on several levels. It’s in a planting outside a sub-development, and I’m sure that a landscape architect designed the planting with all Ribes sanguineum (flowering currant), but the contractor accidentally installed one Physocarpus capitatus (Pacific ninebark). There’s only one ninebark in the whole planting, and the two plants look similar when young so it would be an easy enough mistake to make, and there’s no way someone would intentionally plant this–it looks like Two-Face from the Batman series. There’s also no way anyone should have hedged these plants, but for some reason people seem to think it’s appropriate.

The mistake does make for an interesting, if slightly unfair, comparison. When they are not hedged, ninebarks have beautiful new foliage in the spring; the new leaves have almost the same effect as flowers, and the flowers are nice when they come later in the year. The plants are fast and tough and a good native habitat plant. I like them; we have one in our own garden. But they are not for every garden. The form is kind of rangy and thickety if you don’t prune it frequently, the bloom should be deadheaded, and the leaves can get tired and yellow by mid-summer with no fall color before they drop.

And ninebarks just can’t compete head to head with a Ribes; few things can. Ribes sanguineum is beautiful and native and fast and tough and a great habitat plant, and it will thrive in virtually any spot where you’d put a ninebark. It’s good for habitat and genetic diversity reasons to plant the ninebark (most Ribes in retail nurseries are from just a few cultivars), but most people, and most clients, will prefer the Ribes. We do plant ninebarks- like I said, we’ve got one in our own garden (along with two Ribes)–but we’ve probably installed six or eight Ribes for every one ninebark. I’m sympathetic to the native plant enthusiasts who want as much diversity and habitat value as possible in gardens, but sometimes it comes down to just looking at two plants side by side and picking. Fortunately, we don’t always have to pick between the two, and we do sometimes find gardens for ninebarks. Ninebarks are nice, they just aren’t awesome.

I put a few photos of the hedged ribes mound that the landscape architect was intending. I don’t really understand the urge to turn two perfectly nice Ribes shrubs into a single Ribes shrub mound. Read the rest of this entry »

Three Rivers Flagstone

One of our clients calls Three Rivers flagstone “purple zebra,” which is a pretty accurate description. It always catches our clients’ eyes when they visit the stoneyard, though they often balk at the price, as it became really expensive a few years ago and is probably the most expensive flagstone commonly available in the Bay Area. It’s from one of the largest flagstone quarries in the United States, located up in the Sawtooth Mountains in Idaho. The quarry wanted to expand and the Bush administration, in their inimitable way, told them to go right ahead and not worry about doing an environmental impact study. An environmental group, the Western Watersheds Project, which owned a wildlife preserve adjacent to the quarry, then sued, and a judge agreed with the environmentalists that yes, U.S. law does require environmental impact studies, and temporarily shut down work at the quarry. Everyone settled out of court and the price then went up a couple of hundred dollars to around $750/ton.

I’ve seen the stone described as a type of quartz-sandstone and as argillite. Answers.com defines argillite as “an intermediate between shale and slate, that does not possess true slaty cleavage,” which sounds about right, except that I would add that Three Rivers is really hard and heavy. (Can I say that I prefer my stone with a bit more cleavage? It’s true. Cleavage is the tendency of stone to break cleanly.) The swirls of color in Three Rivers come from irregular mineral layers which look cool but make the stone inclined to break irregularly. The patio in the photo, for instance, has rougher, wider joints than I would do with a cleaner-breaking stone like a sandstone. To get tight joints with Three Rivers, you pretty much have to cut everything with a saw. We usually only use Three Rivers for stepping stones, paths, and small patios; it can look too busy when used for larger areas.

Quarriesandbeyond.org has links to info about the Three Rivers quarry on their list of quarries in Idaho.

Three Rivers Flagstone Patio

hacienda de oro restaurant

We visited the Puerto Vallarta Botanical Garden. The garden was founded in 2004, and we were curious to see such a new botanical garden. One of the challenges of landscaping is making the planting interesting while you wait for the plants to grow, so it was interesting to see what they did with a new botanical garden. Their stated mission is to promote sustainability, protect native rainforest species and to develop the largest collection of Mexican orchids in the world. They already have a good section of native bush and an interesting shade house and conservatory, but for now, while they develop their orchid collection and wait for their revegetation plantings to fill in, the best parts of the garden are the swimming hole and the Hacienda de Oro restaurant.
I don’t mean that in a negative way; the swimming hole and the restaurant are great, and it was the most pleasant meal we ate in Mexico. The tortillas and vanilla ice cream are made there on site, our table was up on a balcony with a great view and a fresh breeze, and the service was endearingly slow and over-solicitous. We found a lot of details throughout the garden to interest us; photos are below.
Read the rest of this entry »

One of the gardens created during the last eight years. I drive past it just often enough to forget about it and then have it hits me again with how many crosses there are (4229 as of 1/18/09).

Wikipedia has details about the memorial.

ryan 1/19/2009

The stoneworker’s artist-of-choice, Andy Goldsworthy, has a new installation in the Presidio. It’s pretty cool, a one-hundred foot tall spire made out of forty lashed-together Monterey Cypress logs, culled from aging, declining trees that needed to be cut down. After cutting them down, they lashed them together into the spire and planted new trees around it in the spots where they had cut down the old ones. The spire will eventually rot and have to come down, but by then the new trees will have grown up around it. 

From now until May 3, there’s also a small exhibition with some of the drawings for the project, some photos of the installation process, and a few small art pieces including this junior spire inside a closet of the exhibition building. 

The NY Times has an article with a nice photo of the spire. This video has some footage of Goldsworthy’s first log spire, the no-longer-existing Grizedale spire.