DryStoneGarden

Last weekend I drove down to the peninsula for the Going Native Garden Tour, which of course meant a visit to Town Mouse’s lovely garden, one of the staple gardens of the tour. It wasn’t really photography weather and I probably didn’t photograph anything that Town Mouse hasn’t already shown many times on her legendary team blog, but it’s always nice to have my own photos of things. And I’m not complaining about the weather; it was a beautiful day, perfect for seeing and enjoying the gardens. While I was there I met her esteemed co-blogger Country Mouse and also Helen Popper, author of California Native Gardening: A Month-by-Month Guide, which Town Mouse reviewed when it came out, and I also bought some Lewisias from Gold Rush Nursery who was there selling plants. It’s a very pleasant garden to hang out in, and I stayed for a while.

Among other reasons to see the garden, I wanted to take a photo of this little patio I made a few years ago. The only photos I had were from the stoneyard where we mocked it up and from the end of the day with the wet DG still covering the joints. Town Mouse wrote a series of posts about it, parts 1, 2, and 3. It makes a sweet little sitting spot.

The garden also has a section of urbanite, more recent than the patio, that I wanted to check out. Anita and I are often trying to convince people that recycled concrete with saw-cut edges can look as good as many other kinds of paving, and this is a great example of that; we already sent this photo along to a friend who is demoing an area of concrete. The recycled glass for the joints is a nice touch.

The backyard has a sunny section and a shady area beneath a redwood tree. I liked how the California fescues were catching the sunlight. I’m down to only a couple of them in my own garden, but I started thinking I should get a few more.

The focus of the garden is of course the natives, but there are some nice non-native plants too. I’ve never planted hellebore and dicentra together, but it makes perfect sense, winter bloomer with winter-deciduous/spring bloomer.

And back to the natives in the front yard. There was lots more to see, but it was really sunny and bright. I went to two other gardens on the tour that I’m putting in a separate post. I was glad I drove down, and appreciative that Town Mouse and the others put their gardens on the tour.

April is landscape architecture awareness month and landscape architects everywhere are raising awareness. Or perhaps more accurately, one landscape architect that I know, Anita, is raising awareness. She’s leading a bicycle tour of several landscape architecture projects in San Francisco on Sunday. Last year she was sick and I ended up leading the tour. I was a bit leery, but it turned out to be pretty fun and I recommend it to anyone who wants to bicycle around San Francisco for a few hours. We went to several projects, with the highlight at Levi’s Plaza, Lawrence Halprin’s masterpiece. My favorite ‘built’ landscape in the Bay Area, it blows me away every time I see it, and it was interesting to see a group of people experience it for the first time. Everyone got smiles on their faces. After the tour, I went back a few times to take photos and do some watercolors. I love that big fountain.

The National Park Service has released its new plan for Yosemite. In 1987, Congress designated the Merced and the Tuolumne as Wild and Scenic Rivers, and now after years of study the park has put together a plan to comply. I’ve been reading through some of the plan, trying to understand the details, but I haven’t made a lot of headway, and the plan is only open for public comment until the 18th. The report is here with links to a summary and information about commenting.

From what I’ve read, a lot of the proposals make sense. For instance, the proposed expansion of Camp 4 is desperately needed. During the high season, people start lining up hours before sunrise and by 6AM there’s a line of people in sleeping bags waiting for the kiosk to open, essentially camping out in hopes of getting a campsite. I don’t even try to get a site any more. So that proposal is easy to support.

Proposed development in the west end of the valley, near El Cap Meadow, is more of a concern. I LOVE El Cap Meadow, in large part because it is one of the less developed parts of the valley. I would be sad to see it change. I haven’t read deep enough into the plan to find out the details of what is planned. The Access Fund, a climbing advocacy group, has a form letter that more or less represents my point of view until I get a chance to find out a bit more.

I also wish I knew more about the proposal to remove Sugar Pine bridge, the stone-clad bridge near Curry Village. According to the report, the bridge impedes the river’s flow during high water. You can kind of see in these Library of Congress photos that the abutments are out in the flow of the river.

I wish I was going to have a chance to read more about that before the comment period ends. If anyone know or finds any substantial info, please let me know. Sugar Pine is probably not the single most iconic of the Yosemite bridges, but as a group the stone bridges are quite wonderful. There aren’t a lot of stone bridges in California. It would be shame for one of them to go.

Glade by Mariposa and John Greenlee

I was one of the many judges yesterday at the San Francisco Flower and Garden Show. It was a great chance to see the gardens without the crowds and I took photos after my group finished judging. I liked a lot of the gardens this year, though scrutinizing the gardens as a judge made it hard to get a sense of the show overall. My favorite was Glade by Mariposa Gardening and Design and John Greenlee. The stonework and plants (mostly natives) are beautiful. The nicest touch was the spotlight on the Needle Grass in the meadow. Grasses are most beautiful when they catch the light, so it was great to see that effect created indoors. Needle Grass doesn’t have the conventional appeal of more traditional garden plants, so I really appreciated that it was a focal point of the garden.

Needle Grass

A Goldsworthy Style Egg

The Goldsworthy-esque egg was well built, and the diagonal walls have become a Mariposa trademark at this point.

The Egg Again

Wall Sculpture by Jim Sudal Ceramic Design

The big award winner was Inside Out by the students from Arizona State. One of the walls did nice double duty, showcasing a giant ceramic art piece on one side and a yucca on the other, with the cast shadow of the yucca creating another great lighting affect like the spotlight on the meadow.

Yucca filifera Trunk and Shadow

Inside Out by ASU

The Water Feature from Inside Out

Wonderland by Arterra

I liked the paving and all of the design details in the garden by Arterra. The gardens at the show all reference a specific country, but the one by Arterra is inspired by Wonderland.

Wonderland by Arterra

Thai Garden by Bay Maples

The plants in the Thai garden were mostly California natives. The plants weren’t really the focus of the design, so they didn’t register for me right away, but I appreciated that it was different from what you usually see or envision with California natives.

Philippine Garden by Dan Pozzi

I loved the Philippine garden. You can sort of see in the photo that there are rusting metal bits, shelves holding old bottles and other assorted items, and laundry hanging to dry. The aesthetic is closer to my own garden than I would like to admit, but at the same time, when I sat under the awning it felt like a space that would be loved by its owner so maybe I’m okay with the similarities.

The Hidden People by McKenna Landscape

A slab of rock turned into a divan in the Icelandic garden by McKenna Landscape.

The World's Largest Succulent Globe!!!

The show has the world’s largest succulent globe by the same grower who provided the plants for the Succulent Borg Cube three years ago. It has a diameter of 10 feet, it weighs 2,800 pounds, and it spins. There are 30,000 cuttings of 11 different species: Echeverias, Sedums, Crassula, and Sempervivum. The globe is tilted at the same 23° angle as the earth, which made the Southern Hemisphere more prominent, a nice change from the usual top-down, northern-biased perspective I usually have. Even just the globe on its own was worth the trip to see the show.

Levitated Mass

I feel like I should be finished with my trip south and get back to Bay Area subjects, but the last thing to post from my trip was my visit to see Levitated Mass. It’s a 340 ton boulder-turned-sculpture at the LA County Museum by land artist Michael Heizer. I don’t have a strong opinion about Heizer’s work, but I was fascinated by this project when I heard about it. As far as I know it’s the biggest and heaviest rock ever moved. Heizer got the idea in the late 60’s and then spent about forty years looking for the right boulder. Then, after he found it, he needed 5 more years to raise the $5-10 million dollars for the project, including $1.5 million just to move it about 100 miles from the quarry to the museum. The movers had to use a special trailer 260 feet long and 32 feet wide with 196 tires, they could drive only at night, they couldn’t exceed 8 miles per hour, and I think they had to move or take down some telephone wires and traffic lights that hung too low over the road. There were also several delays involving the permits required to travel through all of the different jurisdictions. Different challenges than the ones that faced the Brits who built stonehenge or the Gauls who moved around the menhirs, but still pretty compelling.

The Downclimb

Having spent so many of my working hours moving big rocks and even more of my leisure hours climbing on them, I thought I was the target audience for this piece. It turns out I’ve probably spent a little too much time focused on rocks, because I liked the concept more than the execution. The mass just doesn’t seem levitated; it’s so obviously sitting on metal brackets and straddling a concrete trench. The boulder is supposed to look huge, but it’s diminished by all of the open space around it and by the long trench. The trench itself is kind of beautiful in its own way, but it’s so deep you can’t touch or really interact with the boulder. And the climber in me feels like the rock face you first see is really the backside of the rock, the downclimb. I’d like to see the prow facing towards the entrance.

The Prow

But despite my complaints, it’s hard not to like a great big rock on an elaborate pedestal you can walk through, and there are a lot of impressive things about pulling off a project of this scale. I don’t regret making the effort to see it, and everyone else there seemed to like it too; Facebook must be filled with photos of people posing with their hands up so it looks like they’re holding the rock. Boulders are fundamentally cool, especially 340 ton boulders, and this one was fun in a ‘giant whale sculpture in front of the aquarium’ kind of way. I just wish they’d let me climb on it.

Not Really Looking All That Big and Not Levitating

I kept track of links while I was following the project:

a slideshow

a parody.

an earlier sculpture called Levitated Mass, a fountain in New York that seems somewhat levitational when the water is turned on

an interview with Heizer when Levitated Mass was under construction.

Infrascape Design wrote several posts about the boulder.

info on the concrete trench

a couple of videos in this article

another article that includes a video of the arrival

a silly bit of hating by Kevin Drum at Mother Jones, here and here

better critiques here and here

a long NY Times feature on Heizer

The last of the botanical gardens I visited on my trip was Rancho Santa Ana. Quite different from the Huntington, but it still has a Los Angeles sense of scale. It felt huge to me, three times the size of the Tilden native garden, with some huge specimens and the biggest clumps I’ve ever seen of a number of plants like Heuchera, Dudleya, Snowberry, and many of the chaparral plants. I had big expectations for the famed Rancho Santa Ana native garden, and it didn’t let me down.

I’d like to see this patch in bloom.

I don’t think I’ve ever seen Dudleya used as a groundcover.

Great Deer Grass meadow. I’ve seen photos of the garden’s annual meadow, but it was still dormant when I was there.

The chaparral plantings made a big impression. The mounding form and small texture of the plants was kept the same, and then the color of the foliage provided the contrast. Really effective how it all flowed together. Probably the best chaparral plantings I’ve seen.

The built forms are nice too. I liked this grape arbor above, I liked the canopy below, and I liked the sculptures throughout the garden.

Because I was gone for much of January and busy right before and after, I missed a lot of the peak manzanita bloom in the Bay Area. But Rancho Santa Ana has so many nice manzanitas, I still got a good dose.

A great garden, hopefully I’ll make it back some year for the springtime bloom.