DryStoneGarden

Salt Pond Montage by Cris Benton, click to see it larger

I meant to post this with my photos of the Salt Ponds, but I got caught up in a bunch of projects and didn’t quite find the time. But I would be remiss if I didn’t mention it. The true master of Bay Area salt pond photography — putting my efforts with a camera merely held in my hand to shame — is UC Berkeley architecture professor Cris Benton who has taken thousands of photos of the salt ponds using kites. Really good stuff, both the images and the fact that he is sending his camera up on a kite. He has slideshows all over the web. There’s a long one here, another one here, a shorter one here, and an interview at ConservationMaven that includes a video about how he uses the kites. He has a blog, Hidden Ecologies, specifically devoted to his salt pond project. Kite photos of salt ponds seems like something that would do well in a contest for the ‘most obscure but interesting’ blog topic on the internet.

Last week I went to Eden Landing Ecological Reserve, a new reserve in the former salt ponds you see as you get on the San Mateo Bridge heading west. It’s part of the larger South Bay Salt Pond Restoration Project, the biggest wetlands project in California. Strange place, and very different from my mental images of the bay area. I still can’t quite wrap my brain around the idea of the Bay Area as one of the world’s major salt producers. Actually, though, it’s a natural result of the topography (south of Hayward, the bay averages only 1-3 feet in depth) and the dry-summer climate. Salt forms naturally in the shallow areas of the bay and has been harvested since the times of the Ohlone. The first salt ponds were built in the 1850’s and were developed like other forms of agriculture, small plots consolidating into larger and larger ones. Nowadays, Cargill, the giant corporation that’s currently recalling ground up turkey, is the last one still producing salt, 650,000 tons per year according to their website. In 2003, they consolidated their production and sold/donated-for-tax-write-offs over 15,000 acres (25 square miles) which are slowly being turned into nature reserves.

NASA aerial photo of the salt ponds, Eden Landing is towards the upper left

Eden Landing is only recently opened to the public and is still a work in progress. There are levee roads to walk on, former ponds in various stages of restoration, lots of birdlife, weedy pioneer plants with a few new native plantings at the margins, and the ruins of one of the salt production facilities. It’s the kind of landscape that is rather bleak in full sunlight, but beautiful in the first and last hours of the day.

The main focus of the restoration project has been to open the dikes and return the landscape to tidal wetlands and create habit for endangered wildlife such as snowy plover, clapper rail, black rail, and salt marsh harvest mouse. I only saw the more common species of wetland birds, but lots of those. The ruins of the salt works and about 10% of the salt ponds are going to be kept as a remnant of the site’s history and as photographer bait.

The ponds are most striking when you look down on them from the sky and see the colors of the micro-organisms living in the water. Different colors form depending on the salinity of the water: green, rust brown, orange, milky pink, and at the highest salinity a shocking purple. I could see rust in one pool and pink in another when I leaned out over them and looked downward. The NASA aerial photo below is completely untouched; those are the natural colors of the ponds.

NASA Aerial View of the Cargill ponds

QUEST did a segment on the project, focusing on the southernmost of the three sites, Alviso:

One of the areas that I saw on my visit (but didn’t photograph) was opened to Alameda Creek this week and will soon be opened to the bay.

— Addendum 10/7/11 —

Salt Pond Montage by Cris Benton, click to see it larger

The true master of Bay Area salt pond photography — putting my efforts with a camera merely held in my hand to shame — is UC Berkeley architecture professor Cris Benton who has taken thousands of photos of the salt ponds using kites. Really good stuff, both the images and the fact that he is sending his camera up on a kite. He has slideshows all over the web. There’s a long one here, another one here, a shorter one here, and an interview at ConservationMaven that includes a video about how he uses the kites. He has a blog, Hidden Ecologies, specifically devoted to his salt pond project. Kite photos of salt ponds seems like something that would do well in a contest for the ‘most obscure but interesting’ blog topic on the internet.

Yosemite Falls

‘…a trail which was almost like a symphony, stopping, moving, looking, listening, and so on. I wanted to make this… but not to make it clear that there was a designer here… I wanted to leave it to the point that people would assume that it had always been that way.’ Lawrence Halprin

Along with the north coast, I went to Yosemite several times in the last couple months. Absolutely amazing place, as the millions of people who visit annually can all attest. I used to be bothered by the crowds, but I’ve learned to navigate the park and appreciate it without feeling bothered by them. Bringing my bicycle with me has helped immeasurably. The Valley’s a beautiful, flat place to ride around in, and a bicycle is the key to avoiding the daily traffic jams. (The park service really needs to figure out a way to get people parking outside the valley and just using bikes and shuttle buses inside. I’m skeptical it will ever happen, but I can dream, right?) Climbing has also helped me love the valley. Obviously because the climbing is so incredible, but also because I’ve ended up spending long periods of time sitting and staring at the views. And not just on the climbs. Most days I would meet up with my climbing partner at the bicycle parking at Lower Yosemite Falls, and while I waited for him, I started to really appreciate the effect that the view of the falls has for people.

Yosemite Falls

It’s the tallest falls in North America, 2,425 feet, and probably the single most viewed and photographed in the world. Lawrence Halprin redesigned the approach trail and picnic area a few years ago, and there is a lot of stonework done by the same company that did all of the stonework at Stern Grove. I don’t really remember what the approach was like before the redesign and the only ‘before photo I’ve seen is a glimpse in the video I linked above, but I remember a parking lot and a lot of crumbling asphalt. I’m pretty sure the framed view of the falls was already cleared, but possibly with the trees starting to grow back in and obscure the view again, and with a bathroom in the foreground instead of the dramatic allée. The redesign took out the parking area, made the trail into a loop, and rehabbed a lot of degraded habitat areas. It upgraded the materials and it channeled people’s movement so they would hit the key viewpoints without trampling on the vegetation or eroding the banks of the creek. And the work was done with enough subtlety and transparency that, as Halprin was hoping, most people probably don’t realize that their experience was crafted by a designer.

Yosemite Falls Approach

There’s a summary of the project here.

Yosemite Falls Approach Trail

Goat Rock State Park

As I said in my last post, I made some vacation time for myself the last month or two. Not a continuous vacation, but I made it out of town for a three day weekend almost every week, to Yosemite several times and up the coast twice. While on those trips, I made an effort to do some sketches. In the scheme of things, I’m probably more partial to photos, but sketches are good too, and I find myself doing more and more drawing for work. All of these are from the Jenner area, three in the vicinity of Goat Rock and one at Fort Ross.

Goat Rock State Beach

Fort Ross

Sunset Rocks at Goat Rock State Park

It feels like summer is finally here. I’m taking a few weeks off from the blog, enjoying these long summer days outdoors instead of at the computer. Posting should resume some time next month.

While I was at Salt Point, I visited the Sea Ranch Chapel just north of there. The chapel’s a fantastic building designed by San Diego architect James T. Hubbell, commisioned by two sea Ranch residents who wanted to create a ‘nondenominational sanctuary for prayer, meditation, and spiritual renewal.’ I love the form and the blending of materials.

The design was inspired by the drawings of a local artist and is said to be based on winged forms. It also has a bit of shell motif going, though it’s of course abstract enough to offer a variety of interpretations. Personally, I think it resembles a brugmansia flower.

The Hubbell website says the supervisor on the project had experience as a boat builder, which makes a lot of sense; the framing looks like it’s for a boat, and the finished building looks somewhat like a sea vessel sitting on a cradle of rock. The moss rock (aka Sonoma fieldstone) is actually a facade over a cinder block wall, but the batter makes it look structural.

The section and the construction photo are from the chapel’s website, which also has a nice aerial photo of the building.

The interior is as striking as the exterior, with a flagstone floor, stained glass windows, and lots of beautiful woodwork. The windows and the wood made the building feel warm, even though the sky still was gray with its coastal-morning haze.

It’s all very compelling and a steady flow of people visited while I was there, drawn off the highway to investigate. You don’t really see many buildings that combine rock and wood and glass and metal in such a unique way. Really well done.