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Loon Lake And Gerle Lake Watercolors

Gerle Creek Reservoir

These are from a camping trip to Gerle Creek reservoir in the El Dorado National Forest above Placerville a few weeks ago. I think it’s funny how the first one blends with the background color of the blog. I seem to like this olive-y chartreuse color, as it shows up in my blog, drawings, plantings, clothing, and probably other places I’m not aware of.

The Eastern Part of Loon Lake

While camping at Gerle Creek, I hiked at nearby Loon Lake. Both lakes are reservoirs, which I’m usually skeptical of, but they’re both quite pretty, with rocky islands to swim to and jump from. The largest island (below) looks like a great spot for a kayak or canoe camping trip.

The Central Part

The Western End

Stern Grove Watercolors

I got back to watercolor for a couple of sketches at Stern Grove during the recent Ozomatli show. We were up on the slope behind some trees, so they might not be the most accurate I’ve ever done. I recently went to a talk by Edward Westbrook who owns Quarryhouse, the company that did the stonework. I added a few details from his talk to the end of the Stern Grove post I did a couple of years ago.

Tuolumne Sketches

Tuolumne Meadows

We’ve entered the summer months when I try to get up into the mountains as often as possible. I take the point and shoot camera with me some of the time, but these days I take a sketchbook at least as often.

Yosemite Creek Trail

These drawings are from a couple of weeks ago when I was up at Tuolumne Meadows. I was going to do watercolor to continue with my efforts from this spring, but in the end I just did pen and ink and then colored them at home.

Kitty Dome

Puppy Dome Swimming Hole


Cathedral Peak

Watercoloring the Empty Quarter

I mentioned that lately I’ve been taking an evening class to learn watercolor. I’m interested in using it for location sketching and possibly for the drawings we do for clients, but so far almost everything I’ve done has been indoors after the sun goes down, working off black and white photos. Not exactly location sketching, but it has been pretty helpful. The photos give a good sense of value and because there is no color, I feel free to experiment. The colors tend to turn out differently than I plan, but because it’s from black and white no one can tell.

After some casting about and experimenting, I’ve ended up working from a series of photos by Wilfred Thesiger. A little random, but I had to choose something to paint and I’ve loved his photos for years. He was the last of the old-school desert explorers and one of the all-time great travelers. Arabian Sands about his explorations of the Empty Quarter of Saudia Arabia is one of the great books of travel literature; The Marsh Arabs, about his years living in the marshes of Iraq is also great; and the compilation, The Last Nomad, is one of my favorite books. His writing describes the landscapes and cultures with an amazing clarity, and the photos are powerfully evocative and certainly don’t need any coloring efforts by me. There’s a selection of photos here, but really his work is best appreciated in an old-fashioned, dead-tree book with text and images together. Both his photos and the writing have an unsurpassed stark black and white expressiveness.

I confess I don’t know a whole lot about the places I was drawing. The town above is named Shibam, in Yemen. Below is a place called Liwa Oasis, showing that ‘oasis’ is very much a relative term.

The others are scenes from the Empty Quarter, the largest sand desert in the world.

We’ll see how much watercolor I do going forward. I did feel like it got its hooks into me, so these probably, hopefully, won’t be my last.

Watercolor Interlude

I’ve been watercoloring quite a few of my evenings lately. It’s been fun; there’s improvement, though watercolor’s definitely one of those things that takes a minute to learn and a lot more than a twelve week class to master. The sketch above is from the class field trip to the Legion of Honor Museum. We were there to draw from the artwork, but I thought the building itself was impressive, as if it were waiting for Stanley Kubrick to come do one of his slow tracking shots through the enfilade. Bear with me if posting slows for a little while, the watercolor has been cutting into my blogging time.

Watercoloring

I mentioned that posting has been slow because this is a busy time of the year for me. Besides working and moving ahead on our garden shed/office project, I’m also taking a class in watercolor, which has kept me busy in the evenings, trying to get the hang of that rather beguiling and frustrating medium. This is the best of my efforts so far, a view of the entry drive to the house where I’m working right now. The sketch below is from last fall while I was walking around, getting a feel for the property; the watercolor is from this past week when I was assigned a ‘landscape featuring trees.’ In real life the oaks are even more impressive than I managed to show on paper.

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