DryStoneGarden

On my trip I also spent a few days in Los Angeles visiting a friend and went with him to the Huntington. Strikingly different succulent plantings compared to the Desert Museum and the natural areas around Tucson. It felt like the desert on steroids. Really cool, but in sort of an over-the-top body-builder way. I liked it, but was sort of overwhelmed and didn’t take many photos.

Instead I made my friend slow down and wait for me in the Japanese garden. Really nice stone detailing. I realized I’ve had a blog named DryStoneGarden for over four years without ever showing a photo of a literal ‘dry stone garden’ which is another one of the names for a zen garden. That wasn’t the reason I chose the name and no one has ever mentioned it, so perhaps I’m the only one who thinks of that alternate meaning. We used to sometimes have clients who wanted Japanese detailing and we incorporated elements of the dry stone garden in a couple of designs, so maybe I’ll go back and get photos of one of them some day. I would have liked to spend longer there at the Huntington zen garden, but I had to keep up with my friend.

The rock weighting the branch above the cluster of stones is a great detail.

The garden was displaying several suiseki, also known as scholar rocks or viewing stones. I’ve really liked these on the few occasions I’ve seen them, and I wish I knew more about the whole tradition. The vein of white quartz on this one is meant to resemble a waterfall. There’s a post about the Huntington’s Suiseki collector Bob Watson at Capital Bonsai. Beautiful stones.

There was also a number of bonsai. I’m not a big bonsai aficionado, but the Huntington has some great ones.

I wish I knew more about the genres of bonsai that involve rocks.

And the last photos I took, the entry paving to the teahouse and the river stones beneath the drip line of the roof. I went through the other areas of the garden even more quickly than I had gone through the succulent garden. I realize Southern California gardeners must know the Huntington quite well, but it was new to me. Quite an impressive garden. I really was overwhelmed with the size of it, and the scale of some of the specimens and mass plantings, and all of the care and effort and resources put into the garden. Quite a place.

A highlight of my trip was the Arizona-Sonora Desert Museum. It’s a botanical garden/zoo/aquarium/museum. Really great. Basically, it’s a botanical garden showcasing the different plant communities associated with the Sonoran desert, but it’s combined with a zoo of Sonoran animals, plus a reptile house and a couple of aviaries, plus a great display of the different minerals found in Arizona, plus a new aquarium, and probably a few other things I’m forgetting. The aquarium isn’t especially big and takes only about a half an hour to see, but it has some nice salt water tanks with things from the Sea of Cortez and some fresh water tanks with less showy species from the riparian areas of the desert. The zoo has a porcupine, fox, cougar and bighorn sheep, not the most exotic animals I’ve ever seen in a zoo, but still pretty interesting and the garden setting kept away that negative vibe that zoos sometimes collect. It made me wonder why humans ever made zoos and botanical gardens separate in the first place. I was hugely impressed.

The garden has some nice plantings, including ones with desert plants set against concrete walls in that style southwest designers do so well. Tucson, in general, seems to have the native Sonoran plants well integrated into the landscaping, and then the Desert Museum does a good job of taking those plantings to the next level.

Nighttime lows were in the teens when I went to the Desert Museum, so plants from areas to the south were bundled with various things to protect them from the cold. I always find improvised frost protection kind of charming. The styrofoam cups on the cactus make it look like the garden had hosted a frat party.

The garden has a few Boojum trees, including one tall specimen. I would love to see the Boojum forests down in Baja. Anita and I were just a little too far south when we were down there a couple of years ago. Going back to see them is just about the highest thing on my horticultural ‘to do list’.

Palo Brea, Parkinsonia praecox, was a new one for me. Really beautiful. The garden also has beautiful Palo Verde, Palo Blanco, and Ironwood specimens, including a semi-circle of Ironwoods as shade trees for a patio.

Has anyone seen a Palo Blanco growing in the Bay Area? I don’t think I have, but it seems as though it should be possible to grow one out in Contra Costa.

These photos just scratch the surface. It’s one of the best botanical gardens I’ve ever visited. Really great, highly recommended.

This week, soon after my visit to Blake Garden, I went to Filoli down on the peninsula. Most people interested in gardens around here seem to know it, and I’d heard a lot about it and seen a number of blogposts. Chuck B at MyBack40(feet) has done a lot of posts over the years, this being the one I remember best, TownMouse posted about a visit, and a number of other bloggers have posted about it too. But I’d never seen it in person.

Coming right after a visit to Blake, I found there was sort of an interesting contrast. Like Blake, Filoli was set up with a formal design at about the same time period, 1917 to Blake’s 1922. But unlike Blake, which has changed significantly over the years and has sort of a wild and free collection of plants, Filoli still has the formal, carefully controlled aesthetic. And while Blake feels sort of like the forgotten garden up in the hills, Filoli is still in its heyday. There were tour buses in the parking lot and more visitors than I ever see in any of the botanical gardens. It felt immaculate and beloved.

I was a little late to see some of the big floral shows like the spring bulbs, the wisterias, or the camperdown elm. This time of year, the roses and the mediterranean border are probably the highlights, plus of course the formal design. Does anyone know, is it the biggest formal garden in the Bay Area? I can’t think of a bigger one.

This is probably the most successful knot garden I’ve seen. There’s the standard view, where you can see that someone made an elaborate shape with the plants, but it’s also nice when you stand a little closer and just see the repetition of purple foliage.

The purple hedge is a southern Beech, Fagus sylvatica ‘Atropurpurea’ and I think the big tree in the background is the same. Makes me feel sad for the poor little hedged ones.

Lots of plants hedged into architecture. But also lots of great specimen trees like the oak tree towering over the garden house.

Shame on me that I had never been here before. It’s quite the garden, and I definitely want to go back some time earlier in the year when the classic spring bloomers are at their peak. This first visit just begins to scratch the surface.

“A garden is a creation in space and time and must be planned as an ever-changing composition in which human beings at any moment can become the central figures.” Geraldine Knight Scott

I feel like I haven’t been photographing gardens much this spring, so I went up to Blake Garden to take some pictures this week. The garden is only a couple of miles from our house and has an interesting backstory, so I’m not sure why I haven’t posted about it before. I first went there eight years ago, when Anita graduated from Cal; the landscape department owns and runs the garden and holds its graduation ceremony there. Since then I’ve gone a few times. This time I did a little research on the garden before I went, reading a short book about the garden put together by some of Anita’s classmates, and looking through the oral history and the historic photos on the garden’s website. It added quite a bit to my appreciation of the garden.

The garden goes back to the 1920’s. There’s a big house which is the official residence of the president of UC Berkeley, though it’s currently empty. Mrs. Blake was a gardener and her sister was a landscape architect, so they went all out on the landscape. The sister made a formal, Beaux Arts style design, and then over a span of thirty years, they added a ton of plants, apparently getting up to about 2,500 species at one point. Plant ID classes from the university often went up to the garden to study the plant collection, and some of the faculty befriended Mrs. Blake, so when she passed away the property was donated to the UC Berkeley landscape architecture department with the understanding that the university could do what it wanted with the house but that the garden would be maintained at a high level and used as a teaching resource for the students.

Geraldine Knight Scott, who was teaching at Cal at that time, made a plan for the garden that kept the core of the Beaux Arts-style design in place around the house, but adapted the rest of the landscape to a more modern layout, with parking for the public and a new gate and some changes so that the president of the university could live there and host events. From what I can tell, not everything in Scott’s design was implemented — one of her main tasks was editing, several people in the oral history say the garden had become a jungle, and Scott said she spent three years just taking out plants to make space — but the important thing is that the garden became a place for the students to study and work and try stuff out, which continues to this day. Plant ID classes still go up there, students in the construction classes build things there, and there have been student design competitions for trellises and so forth. When you walk around, you get a sense that there are several layers of the garden — the formal elements from the twenties, the plant collecting begun by Mrs. Blake, the mid-century modern layout by Scott, and the scattered student projects. So it’s a historic garden, but not really rooted in a single time period, and it’s still changing and evolving. I seem to find something different every time I go.

This is the formal area from the 1920’s and the part that has changed the least.

Throughout the garden, you can see some of the more formal 1920’s elements juxtaposed with some of the mid-century elements from Scott’s redesign, like here where there are two entrances, the original entrance with classic 1920’s-era Berkeley stonework and the second entrance from when they made it a public garden.

There are a lot of nice trees, especially oaks. This wall is from Scott’s redesign, separating the formal part of the garden from the more modern section.

Scott made a big curvy lawn for hosting events. It was reduced in size recently to save water, but it still vies with the reflecting pool to be the central point of the garden. Anita’s ceremony was held around the reflecting pool; this year the landscape department’s ceremony was here on the lawn.

More photos are below. (more…)

Fawn Lily, Erythronium

Along with Sunday’s landscape architecture tour this weekend, my favorite native plant event of the year — the native plant sale at Tilden — is happening on Saturday. At this point I rarely buy more than a plant or two, but I like seeing everyone lining up before the start of the sale and the mad rush to the rarest plants, and of course the garden itself is amazing this time of year.

Fawn Lilies, Erythronium sp

Fawn Lily, Erythronium

The one thing on my wish list is seed of an Erythronium species. I’ve been admiring them for a while, but have never grown one and haven’t seen them in gardens much. The Pacific Bulb Society webpage makes them sound like they grow similarly to the native Leopard Lilies — slow, easy, likes good soil, and worth the wait. I would love to have a big patch of these.

Fawn Lily, Erythronium

At past years we’ve worked as volunteers and had longer wish lists of plants, but this year Anita and I will just be spectators.

Alders Have Eyes

After years of watching the frenzied native plant shopping at the sale, last year I noticed that the alders in the middle of the sale area were watching it, too.

Dynamic Reflections

I managed a quick visit to the San Francisco Flower and Garden on Thursday. My personal highlight was not a garden, but rather Bee Chama Honey who comes out from New Mexico most years and has about a dozen different kinds of honey (my favorite was oak, followed by Sage/Willow and Meadowfoam). Anita was a judge at the show this year and was especially impressed at the quality of the gardens and the craftsmanship. I agree, though I thought they weren’t quite as memorable or dramatic as some other years. They were well designed and really nice and it takes a lot of effort to do such good work. I haven’t added links to all the garden creators, but you can find that info at the show’s garden creators webpage. Also there’s some cool stuff at the show’s Facebook page, including a timelapse of a nice, relaxing garden that I didn’t photograph.

Dynamic Reflections again

Dynamic Reflections had the most stone interest. Its by the same designer who did angled walls a few years ago. They’re pretty cool. There’s a heck of a lot going on in these walls, with a ceramic face, a container, various slabs and boulders, more than I would want in a real wall, but probably the right amount for a garden show. I found myself wishing more of the other gardens were more over the top this year.

Dynamic Reflections again

Savannah

Savannah was the other garden that felt satisfyingly over-the-top. It was done almost entirely with grasses, a narrow path through a tunnel of grassy foliage. It was a distinct experience, with crickets and other sounds created by a guy does garden sound for a living. It was a hard thing to do it justice in a photo, but this blurred photo sort of gives a sense of it. I felt like it was far and away the most interesting garden and the main one that offered a distinctive experience you wouldn’t see in a real bay area garden. It was also the only garden that truly felt like it was about the plants.

Windows

Windows was more about the hardscape and the design and making a real outdoor space with good attention to materials and details. It swept the awards from the ASLA, CLCA, APLD, and Sunset, all the groups that are focused on making real residential gardens.

Serenity Lounge

I liked the Serenity Lounge also.

Serenity Lounge again

Urban Habitat on the Left, Sculpture Party on the Right

I also liked the big dragon and the juxtaposition of it next to the graffiti garden. I guess there was more over-the-top things than I remember.

La Vie en Vert

The pendulum and the little gabians in La Vien en Vert are the last of my photos. There were other nice gardens — almost all of the gardens were good this year — but I didn’t photograph them for some reason. I guess I spent a lot of my time tasting honey.

La Vie en Vert again

SF Gate has a slideshow here.