DryStoneGarden

While I was at Salt Point, I visited the Sea Ranch Chapel just north of there. The chapel’s a fantastic building designed by San Diego architect James T. Hubbell, commisioned by two sea Ranch residents who wanted to create a ‘nondenominational sanctuary for prayer, meditation, and spiritual renewal.’ I love the form and the blending of materials.

The design was inspired by the drawings of a local artist and is said to be based on winged forms. It also has a bit of shell motif going, though it’s of course abstract enough to offer a variety of interpretations. Personally, I think it resembles a brugmansia flower.

The Hubbell website says the supervisor on the project had experience as a boat builder, which makes a lot of sense; the framing looks like it’s for a boat, and the finished building looks somewhat like a sea vessel sitting on a cradle of rock. The moss rock (aka Sonoma fieldstone) is actually a facade over a cinder block wall, but the batter makes it look structural.

The section and the construction photo are from the chapel’s website, which also has a nice aerial photo of the building.

The interior is as striking as the exterior, with a flagstone floor, stained glass windows, and lots of beautiful woodwork. The windows and the wood made the building feel warm, even though the sky still was gray with its coastal-morning haze.

It’s all very compelling and a steady flow of people visited while I was there, drawn off the highway to investigate. You don’t really see many buildings that combine rock and wood and glass and metal in such a unique way. Really well done.

I took a couple of days this week to go climbing and hiking at Salt Point State Park up the coast between Jenner and Sea Ranch. I’d never been before, it’s a little far for a day trip, but now the impending closure of so many state parks has got me motivated to check out some of the parks I’ve always meant to visit. Salt Point isn’t one of the ones that will be closing, but that’s partly because they have already cut back many of the services. The closures didn’t really affect my visit, I had a great time, but it was a reminder of how things are trending. But in any case, I wasn’t dwelling on that during my trip, mostly I was just enjoying the park. Classic Northern California coastline, lots of wildflowers in bloom, and I was lucky to enjoy perfect weather. I’m not sure photos can show how exceptionally pleasant it was.

Salt Point was a quarry in the 1850’s. Sandstone slabs were split and shipped down to San Francisco to use as paving and wall stone; you can still see drilling scars on some of the rocks.

It’s great to see a former quarry site looking so beautiful.

Altun Ha

Hmmm, I meant to post this sooner. Our Belize vacation already feels like it was a long time ago. As I mentioned just after we got back, we spent most of our Belize vacation on a small island, hanging out, sometimes snorkeling but mostly just sitting in a hammock. At the end of our trip we did one true sightseeing thing, we went to the Mayan ruins of Altun Ha.

Anita and I have both been to Mayan ruins before, but not for about ten years. Altun Ha is a good one. The entire site is about 25 square miles, mostly focused around two main plazas that are cleared and excavated, with pyramids as tall as the trees. The name means Stone Water or Rockstone Pond, named for the limestone wells. It was settled around 250 BC, with the first buildings going up around 100 AD. The population got up to 10,000 people at it height; it was abandoned around the 10th century. Now there’s just forest around it and it would be hard to imagine a lot of people ever living there if it weren’t for the big stone pyramids.

The Other, Adjacent Plaza

Mayan ruins are great, and I of course was interested in the stonework. Each building was built over about a one hundred year period, sometimes directly on top of previous buildings. During the Mayan times the stone would have also been covered with stucco and painted.

More detail photos than anyone really needs to see are below. (more…)

A little before we left for Belize I finished a project in Walnut Creek that I’d been working on for a while. No garden is ever truly finished and there are still a few things to do in this one — redoing the handrailing, painting the wall — but I’m not the one responsible for that phase so I get to call it done. Much of this project was done during the period of heavy winter rains in December and then there was a long delay while the light fixture for the wall was decided on and then fabricated. Landscape lighting generally gives more immediate gratification than any other aspect of landscaping, but we had a hard time finding the right fixture for this one. There are tons of lantern-style lights designed for eight-foot-high stuccoed walls, but not many for a three foot retaining wall of stone.

Some photos of lighting (which for some reason has attracted the biggest flurry of spam that I’ve seen in a long time) are below. (more…)

Thursday while I was down on the peninsula, I passed near a house where I did a small stone project last fall, so I stopped by to check out the planting that the client did afterwards. Pretty nice, and fun to see someone else’s plant choices. There wasn’t a drawing or anything when I did the project, just a request for an 8″ high wall to give a back drop to a low planting of color, and I didn’t know exactly what would go in afterwards. You can’t see so much of the stonework at the moment, but it will reappear as the plants finish their bloom cycles.

The yard had nice trees and shrubs before, but it’s a lot more interesting now. This photo from when I finished the project was in my 2010 wrap-up post.

Around the time I went to Stern Grove, Andrea Cochran gave a talk at UC Berkeley. She’s another one of the west coast landscape architects with interesting stonework in her projects. She mostly spoke about the projects in the recent book Andrea Cochran: Landscapes, but with a lot more photos, including construction photos and some before photos of the projects. I was most interested in the stonework at two of her projects up in the Napa area.

I smile every time I look at photos of the riprap at the base of the wall in this landscape. It’s as if the stonemasons never cleaned up after the project or as if they were building a breakwater for a flood that has yet happen. It’s landscape humor, whether or not the designer actually meant it to be. But it also works visually; breakwaters and seawalls are always striking, and most mountain headwalls have talus heaped at their base, so it’s a familiar form to have the clean face of the wall above the jumble of the riprap. She said that she added the riprap because the walls were too strong visually, that their line was dominating the landscape and she needed something to soften the effect. It’s not often that adding stone will soften a landscape.

The other interesting stone element from her book and presentation is a pyramid made from construction rubble. After excavating for a building on the site, they had literally tons of rock to get rid of and the landscape needed something to fill the view across the reflecting pool, so she channeled Michael Heizer and had the rubble stacked into a pyramid. She said everyone was skeptical until it was built. Like the riprap, a bold design move.

Both projects won ASLA awards, with more photos and info about the projects, titled Walden Studios and Stone Edge Farms, at the ASLA website. There’s also a recent interview with her on the ASLA blog, covering a lot of the other topics she talked about at the slideshow.

There’s a video about her here.