DryStoneGarden

After Vlinderhof, I visited Piet Oudolf’s new planting for the Singer Laren Sculpture Garden. It’s a great space, wonderfully pleasant, everything you want in a garden. I didn’t particularly care about any of the individual sculptures — sculpture is always a bit hit and miss and, for me, the Laren collection is pretty much all miss — and after seeing the perfection of Vlinderhof’s planting, I found the plantings at Singer Laren a step down. At Vlinderhof virtually every plant was in perfect synch, all pulling together to make the best meadow planting I’ve ever seen; Singer Laren was interesting for the small ways it fell short of Vlinderhof’s perfection. But if I sound critical, that’s not right, I really liked it. It’s a great place, recommended to everyone. A coffee and a pastry in the sun at the Singer Laren garden… wonderful.

(more…)

One of the first things I did on this bike trip was check out Piet Oudolf’s garden at Vlinderhof in Utrecht. I’ve been following Oudolf’s work through photographs and videos for years and I’d seen the underwhelming spring version of his High Line plantings, but this was the first proper Piet Oudolf planting I’d seen in person, and it blew me away. Almost every plant was in full bloom, every plant was in synch, every plant helped to make every other plant shine. It’s the best meadow planting I’ve ever seen.

(more…)

Another highlight of my Oaxaca trip was a visit to the Oaxaca Ethnobotanical Garden, inside the 16th century complex of the Santo Domingo Cathedral and monastery in the middle of the historic district. It’s a tremendous garden with a unique setting. All of the plants are from Oaxaca and have an ethnobotanic significance for Oaxacans, but it was also laid out with a strong sense of design. All of the paths and many of the plants are laid out with straight lines and ninety degree angles, which is based on traditional Oaxacan design ethos but also made it feel very contemporary. One of the things that most imoressed me about Oaxaca — not just in this garden but running through virtually everything I saw — was how modern the traditional Oaxacan elements feel. My photos are below. (more…)

After checking out the Drew School green wall, I went by Strybing to hang out in the native meadow. It’s one of my favorite spots in the city, and this is pretty much its best time of year. It was designed in 1988 by Ron Lutsko, who recently designed the new planting around the Julia Morgan building at the UC Botanical Garden. It’s one of the nicest meadow plantings I know; you hear a little bit of traffic but you can’t see any sign of the city that’s just beyond the trees.

Give me some bunch grasses, some rocks, and a manzanita and I’ve got pretty much all I need to be happy.

But what puts the meadow over the top is the stone council ring made with some of William Randolph Hearst’s peripatetic monastery stones. I love the simplicity of the circle. The stone ring is for the most part only a single course high, but with enough double-stacked stone to qualify as a wall. The garden has other, more elaborate walls built with these monastery stones, but this is the one I head to on a sunny spring morning.

Along with Joshua Tree, I also went back to Rancho Santa Ana Botanic Garden. It was great to see it in more springlike conditions, after my only previous visit in January. I said at the time that I would like to see this Heuchera patch in bloom, and it didn’t disappoint. The thick haze of pink flowers was visible a long ways down the trail. The day was rather sunny for photos, but I have a few more below. (more…)

I went down to the flower and garden show this week, saw the display gardens and other curiosities. This year’s gardens are individually all quite nice and as a group noticeably scaled down from last year. There was no submarine party car or bamboo water wheel, and I think the gardens occupied less square footage than last year, too. But I liked just about every garden. This egg-shaped water feature/sculpture by Mariposa Gardening and Design is a good example. It’s pretty neat, a lot of work went into it, and it’s somewhat similar to their egg-shaped sculpture in the 2013 show. But there’s nothing wrong with doing variations on a theme and I was glad to check it out up close and see how it was made.

The diagonal walling is pretty much a Mariposa signature at this point. I’ve seen it before, but I’ve seen a hell of a lot of horizontal walls too, so I’m happy to see it again.

The little planting of native grasses with non-native flowering accents was pretty. There wasn’t a ton of plant interest overall in the display gardens this year, but I think people say that almost every year. It’s hard to get interesting plants for the show.

The most interesting stone elements at the show are these three sculptures by Edwin Hamilton.

My favorite is this third one. The assemblage/walling aspect adds a lot of interest.

The other highlight of the show was the gourd art, artist Betty Finch’s amazing gourd creations. The horse is uncanny, her heron marionette has an internal life of its own, and her gourd mask is distinctly creepy. When she put it over her face and cradled a little gourd baby in her arms, I compulsively stepped back as if I’d suddenly found myself in a town with way too small a gene population.

Treebeard was at the show last year. Pretty great.

I always look at the bonsai display. I sometimes feel bad for the trees, but this California Buckeye really is a condensed little manifestation of the awesomeness of buckeye trees. Some more photos of the display gardens are below. (more…)