Archive for May, 2018
Flowering Hawthorn
My parents’ front garden has a Hawthorn tree that makes a beautiful show of flowers every year. It almost flowers too well; I like to see the green leaves along with the white flowers but the leaves can be nearly completely covered.
I don’t know a whole lot about Hawthorns, though I grew up with this one. They seem underappreciated and under planted in the Bay Area. I guess they can be prone to fire blight. Gophers like the roots and ate the only one I’ve personally planted. But my parents’ one has grown without trouble for over thirty years. It’s my favorite element in the entire garden, ahead of the plants I personally chose and planted, the various ceramic sculptures, or the wall and patio I built.
A few more photos from the front garden are below. (more…)
Needlegrass versus Feather Grass
I often pass by a spot in Lafayette where two neighboring buildings have ornamental grass plantings that almost feel like they are in dialogue with each other. One features the beautiful-but-frowned-upon Mexican Feather Grass, Nasella tenuissima, while the other sports the beloved-by-the-native-plant-community Purple Needlegrass, Nasella pulchra. It’s a distinctive side by side comparison. The plants are related but their overall effect is different and their usage shows different priorities. The Feathergrass is prettier, but the Needlegrass has deeper connections with the natural environment.
Mexican Feather Grass is beautiful but it’s a nuisance plant, reseeding all over people’s gardens and spreading into wild areas where it supplants native species. Environmental groups and plant societies promote alternatives for it, and at one point there was an effort to raise money to buy out and destroy all of the nursery stock in the state so that it wouldn’t be planted any more. I’m not sure how successful that effort was. It hasn’t disappeared from nurseries and I still see it in landscapes fairly often, but its heyday seems to have passed. Clients sometimes request it but less often than in the past and only if they have never grown it; if they have grown it they usually want to get rid of it.
Needlegrass often features on lists of substitute plants to use. Objectively, it is not as pretty and refined, but it has advantages that go beyond the merely visual. Famously, its roots can extend as deep as twenty feet underground, and that fact also reflects its deeper connections with the larger California landscape. It’s the official state grass, it evolved here in this place, it’s one of the key plants of our native grasslands and it’s a good habitat plant, attracting small birds and butterflies to the garden. This might be slightly early for it to look its most ornamental — the plants are only just starting to send up their golden flower stalks — but the California Poppies are blooming, and one of the best reasons to grow Needlegrass is as a companion for native wildflowers. This planting doesn’t look dramatically different from the mix of Lupine and weed grasses that naturally happen around my house, and for me that’s the point. The Needlegrass makes me feel like the planting is a part of the wider landscape around it; it suggests that the building was inserted into the existing natural landscape and, rather than everything getting redone with a bulldozer, that there is a connection between what is here now and what was here in the past.
The biggest difference is how Needlegrass fits into the landscape. For some people that’s a disadvantage; they want everyone to recognize that their landscape is cultivated and maintained. Mexican Feather Grass and this nice patch of Osteospermum look like plants purchased from a nursery, while the Needlegrass could have easily spread by seed from the surrounding hills. But for me t
A Continuous Shape, Stonecarver Video
A Continuous Shape from Eyes & Ears on Vimeo.
A great portrait of stonecarver Anna Rubincam as she herself creates a three dimensional portrait in stone. I particularly like seeing the mix of hand and power tools used in the process. The directors talk about the making of the film here.
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