Archive for December, 2008
Summer Deciduous
Summer deciduous can be a hard concept to bring into the garden. It makes perfect sense–plants go dormant during the dry summers and leaf out again during the temperate, wet winters–but it takes a fair bit of confidence to keep reassuring your clients that the plant is healthy when other plants in their garden and virtually all of the plants in their neighbors’ gardens are using summer as their time to shine.
This Ribes malvaceum is full of brand new leaves several days after the winter solstice. Planted as a five gallon in June, the ribes sat there with tired, raggedy-looking leaves and dormant leaf buds all summer and fall, and as soon as the rains came, it put out these beautiful big green leaves and even a few token blooms. It might be in leaf a bit early because this is its first year and it’s getting regular irrigation, but it’s clearly not on the same schedule as a lot of the more traditional deciduous shrubs and trees; for instance, the Japanese maples in that same garden are just losing the last of their leaves. This Ribes has its most beautiful foliage at the same time as other plants have abandoned theirs.
ryan 12/26
Solstice
We try pretty hard for year-round bloom to keep our beneficial insects happy, but I doubt they’re very impressed with our offering on the first day of winter. Geranium “Bill Walls,” this calendula, and Linaria pururea are the only ones in full bloom. Everything else is young or only able to muster a token bloom. Of interest probably only to me, the bloom list is below:
Calandrinia Spectabilis
These calandrinias sure are happy. This spot used to have bamboo in the ground, so before planting, we dug out the soil to a depth of two feet. Whenever we turnover or dig soil, we also add compost (turning soil increases the oxygen in the soil which in turn increases the population of bacterial microbes; you need to provide additional food to sustain the boom of bacterial life or else the population will go bust and leave you with worse soil than before you started), so these calandrinias are growing in two feet of loose, ammended soil, slightly raised to provide good drainage, full coastal sun, pretty much their ideal conditions. They’ve pretty much exploded, tripling in size in three months and blooming by their second or third week in the ground.
We usually plant them in less optimal conditions where they grow well but much more cautiously. The photo shows their leggy bloom habit. They seem to look best if you can raise them a foot or two so the blooms are stretching up to just below eye level. They will bloom most or all of the winter in Berkeley and Richmond.
The aloe in the lower corner was a dark red when we planted it, but the good soil and (I’m guessing) generous hand-watering by the homeowner has turned it blue-green. Below are a couple of shots of Calandrinia in my neighbor’s garden. (more…)
Feral Grape
This is the front yard of a house where I used to live. One of my roommates at the time did this little native planting; I’m still friends with the owner and occasionally help out with the maintenance, which this time of year means dealing with the Wild Grape. “Wild” doesn’t really begin to describe how this plant behaves; feral seems a little more accurate, maybe a little more pejorative. It’s not really the right plant for a space this size that rarely gets any maintenance, but my friend seems to enjoy watching it go crazy, and the plants do manage to cope. The Manzanitas sit tight, the Heucheras go dormant, the Gauras get scale, and the Ceanothus “Dark Star” is actually trying to bloom. The saddest part is that I felt obliged to cut it back before it could do its show of fall color.
Specimen Trees as Art
If you ever wondered about the term ‘specimen tree,’ this is it. The photo is done as art, but it might as well be for a class on garden design. This is the affect you want when you plant a Japanese Maple.
The photo is from an art exhibition called “TREE,” by Korean artist Myoung Ho Lee. There is a slideshow at Lens Culture and an interview at The Morning News. He uses a cherry picker, out of sight behind everything, to hang a giant canvas, and he has some big ideas when he does it — “seeing trees in a refreshing way or restoring the value of trees is to awaken all beings on earth in my work.” It’s probably best not to quibble with anyone who aims to awaken all beings on earth and who creates images this cool in the process.
You are currently browsing the DryStoneGarden blog archives for December, 2008.